Principal Applied Saxophone (Sophomore Level)
MVW2325 — MVW2325
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Course Description
MVW2325 — Principal Applied Saxophone is the sophomore-level continuation of one-on-one applied saxophone study for students whose principal instrument is saxophone. The course extends the freshman foundation built in MVW1315 with increased technical demands, more advanced etude literature (Mule, Karg-Elert, Berbiguier), broader solo repertoire spanning the French school (Glazunov, Ibert, Tomasi) and American school (Creston, Heiden, Husa) plus expanding contemporary works, refined attention to tone and intonation, expanded altissimo register study, and growing exposure to standard orchestral and band excerpts. The course pairs directly with MVW1315 as the freshman/sophomore principal applied saxophone sequence.
This course is offered at approximately 25 Florida public colleges and universities. Florida State University identifies MV_2321–2326 as the sophomore principal applied music sequence in its degree maps; the University of Miami Frost School of Music has separate classical and jazz applied saxophone tracks at the sophomore level.
The Statewide Course Numbering System (SCNS) encodes information about applied music courses in the digits of the course number. Following the convention documented by Florida State University's College of Music, the first digit indicates academic level (1 = freshman, 2 = sophomore, 3 = junior, 4 = senior), the second digit indicates the applied music placement (2 = secondary, 3 = principal, 4 = performance), the third digit repeats the first, and the fourth digit indicates the specific instrument within the prefix family.
For MVW2325, the prefix MVW denotes Applied Music: Woodwinds; 2 indicates sophomore level; 3 indicates principal placement; 2 repeats the academic level; and the final 5 places saxophone fifth in the woodwind score order.
Learning Outcomes
Required Outcomes
Upon successful completion of MVW2325, students will be able to:
- Demonstrate refined tone production across the full standard sophomore saxophone range (low B-flat through high F-sharp, plus introductory altissimo to high G or A), with consistent intonation and balanced tone color across registers.
- Apply refined embouchure with controlled lip pressure, jaw position, and consistent reed-mouthpiece relationship.
- Demonstrate controlled vibrato with rate and amplitude appropriate to repertoire and stylistic context.
- Perform all major and minor scales (harmonic and melodic) at increased tempo, full sophomore range, with refined articulation patterns.
- Perform arpeggios and chromatic scales across the full sophomore range, including introductory altissimo extensions.
- Apply fluent multiple tonguing: double-tongue at sophomore-standard tempos, with rhythmic accuracy and tonal consistency.
- Prepare and perform advanced etudes from sources such as Mule Études Variées; Karg-Elert 25 Caprices Op. 153; Berbiguier (transcribed); Capelle 20 Grandes Études; Ferling 48 Études (continuing).
- Prepare and perform solo repertoire from at least three contrasting style periods: a French-school work (Glazunov Concerto in E-flat Op. 109; Ibert Concertino da Camera; Tomasi Concerto; Bozza Aria); an American-school work (Creston Sonata; Heiden Sonata; Hartley Concerto; Husa Élégie et Rondeau); and a contemporary work (Albright Sonata; Lauba; Berio Sequenza VIIb; Donatoni; recent American composers).
- Demonstrate improving sight-reading at a level appropriate for chamber music and ensemble playing.
- Demonstrate introductory altissimo register proficiency (consistent attack and tone in altissimo G, A, B-flat, B-natural).
- Perform a sophomore-level faculty jury demonstrating prepared scales, etudes, and solo repertoire from memory where required.
- Continue concurrent participation in allied ensembles (wind ensemble, saxophone quartet, jazz ensemble, chamber music).
Optional Outcomes
- Develop multiple-saxophone proficiency: alto (primary), tenor (substantial repertoire including Husa, Maslanka, contemporary works), soprano (Glazunov, contemporary), baritone (limited solo repertoire but central to saxophone quartet).
- Engage in saxophone quartet performance as part of the regular workload (Glazunov Quatuor Op. 109; Pierne Introduction et Variations; Schmitt Quatuor; American works).
- Develop jazz combo and big-band proficiency at the sophomore level (improvisation over standard chord progressions, transcription work).
- Apply extended techniques: multiphonics, slap-tongue, growl, circular breathing (introductory).
- Perform a 20-minute sophomore recital with repertoire from at least three contrasting periods.
- Audition for NASA Region 4 (Southeast) competitions or summer festivals.
Major Topics
Required Topics
- Refined Tone Production: Embouchure consistency across registers; voicing for tone control; classical versus jazz tonal aesthetics; introduction to multiphonic effects.
- Reed Selection and Adjustment: Refined reed assessment and adjustment; reed rotation; introduction to reed-making for committed students at the sophomore level.
- Daily Technique Routine: Klosé 25 Daily Exercises (continuing); long tones; scale practice with varied articulation patterns; finger-technique exercises; flicking studies for upper register.
- Scale Studies: Full-range major, harmonic minor, and melodic minor scales with varied articulation patterns; chromatic scale to high F-sharp plus altissimo extensions; arpeggios.
- Articulation Studies: Single-tongue speed development; double-tongue at moderate tempos; legato; staccato.
- Advanced Etude Literature: Mule Études Variées; Karg-Elert 25 Caprices Op. 153; Berbiguier (transcribed for saxophone); Capelle 20 Grandes Études; continuing Ferling 48 Études.
- French School Repertoire: Glazunov Concerto in E-flat Op. 109; Ibert Concertino da Camera; Tomasi Concerto; Bozza Aria and Improvisation et Caprice; Maurice Tableaux de Provence; Schmitt Légende.
- American School Repertoire: Creston Sonata; Heiden Sonata; Hartley Concerto; Husa Élégie et Rondeau; Stein Three Songs Without Words; Worley Sonata.
- Contemporary Repertoire: Albright Sonata; Lauba Hard or Steady Study on the Boogie; Berio Sequenza VIIb (a foundational extended-technique work); Donatoni; recent American composers (Adams, Kernis, Larsen).
- Altissimo Register: Systematic study of altissimo fingerings (Rascher, Nash, Sinta systems); voicing for altissimo response; altissimo etudes (Lacour, Rascher).
- Equipment Awareness: Refined mouthpiece selection (Selmer S80 C* and similar for classical; Otto Link, Meyer, Berg Larsen, custom for jazz); ligature options; reed strength refinement.
Optional Topics
- Multiple Saxophones: Continued study on tenor (Husa Concerto; Maslanka Sonata); soprano (Glazunov Concerto); baritone for quartet work.
- Saxophone Quartet: Glazunov Quatuor Op. 109; Pierne Introduction et Variations; Schmitt Quatuor; Bozza Andante et Scherzo; Singelée Premier Quatuor; American works (Lawson, Bencriscutto).
- Jazz Studies: Improvisation over standard chord progressions; transcription of standard jazz solos; big-band and combo experience.
- Extended Techniques: Multiphonics (introductory and intermediate); slap-tongue; growl; circular breathing introduction; quarter-tones in 21st-century repertoire.
- Cross-Genre Performance: Latin, klezmer, world music applications.
Resources & Tools
- Studio Faculty Member: Continuing 60-minute weekly lessons; many institutions assign students to the same teacher across freshman/sophomore years.
- Practice Facilities: Dedicated woodwind practice rooms with humidity control; reed-storage humidors.
- Foundational Methods: Larry Teal The Art of Saxophone Playing; Joseph Allard Master Sessions; Eugene Rousseau Saxophone Method; Sigurd Rascher Top-Tones for the Saxophone; Pat Harbison Jazz Saxophone (where relevant).
- Etude Books: Mule Études Variées; Karg-Elert 25 Caprices Op. 153; Capelle 20 Grandes Études; Berbiguier (transcribed); continuing Ferling.
- Solo Repertoire Editions: Standard editions for Glazunov (Belaiev), Ibert (Leduc), Tomasi (Leduc), Creston (Schirmer), Heiden (Associated Music Publishers), Albright (Schott).
- Equipment: Quality professional alto saxophone (Selmer Mark VI vintage market, Selmer Reference 54, Yamaha YAS-875EX, Yanagisawa A-WO20); refined mouthpiece selection; reed strength refined per individual setup; introduction to additional saxophones (tenor, soprano) for committed students.
- Studio Class: Weekly group meeting for performance practice, peer feedback, masterclass discussion.
- Jury Committee: Sophomore juries typically expect longer programs and a wider stylistic range than freshman juries.
- North American Saxophone Alliance (NASA): Continuing membership; the biennial NASA conference and Region 4 (Southeast) events provide masterclass and competition opportunities.
Career Pathways
- Music Educator (K–12, post-completion of BME and Florida teacher certification through FTCE Music K–12).
- Performing Musician in regional orchestras, opera and ballet pit orchestras, theatre productions, jazz ensembles, and chamber groups. Florida hosts the Florida Orchestra (Tampa Bay), Naples Philharmonic, Jacksonville Symphony, Orlando Philharmonic, Sarasota Orchestra, Palm Beach Symphony, Florida Grand Opera, and the Sarasota Opera.
- Theme Park & Entertainment Performer at Walt Disney World, Universal Orlando, SeaWorld Orlando, Busch Gardens Tampa Bay, and Disney Cruise Line.
- Cruise Ship Musician for vessels homeporting at Florida's major embarkation ports (PortMiami, Port Canaveral, Port Everglades, Port Tampa Bay, Jacksonville).
- Worship and Liturgical Musician for churches across Florida's metro and rural communities.
- Private Studio Teacher, often credentialed through the Music Teachers National Association (MTNA) or instrument-specific Florida professional associations.
- Military Musician with U.S. Armed Forces premier bands or regional service bands (audition required; competitive).
- Studio Recording & Session Work, particularly in the Miami, Orlando, and Tampa recording markets.
Students intending to pursue performance professionally should plan on completing a Bachelor of Music (BM) in Performance at a Florida university — typically Florida State University, University of Florida, University of Miami (Frost), University of Central Florida, University of South Florida, University of West Florida, Florida Atlantic University, Florida International University, Florida Gulf Coast University, or Florida A&M University — and continuing to graduate study or competitive auditions.
By the sophomore year, saxophone principals should investigate specific career destinations: military service bands (saxophone positions are present and competitive); theme-park ensembles at Walt Disney World and Universal Orlando (saxophone is heavily used); cruise-line big-band positions (foundational saxophone employment); jazz combo and big-band performance; commercial recording (Miami's Latin music industry employs saxophonists extensively); and continuing graduate study (UM Frost has both classical and jazz tracks; FSU and other Florida programs offer continuing classical study).
Special Information
SCNS Transferability
Applied music courses with prefixes MVB, MVH, MVJ, MVK, MVO, MVP, MVS, MVV, and MVW are not automatically transferable under the Florida Statewide Course Numbering System. Per FSCJ's published policy on the SCNS, these courses require evidence of skill achievement (audition, jury performance, or portfolio) and must be evaluated individually by the receiving institution. Students transferring to a four-year music program should plan to audition with the receiving institution's applied faculty regardless of credits earned. The Florida Common Prerequisites Manual (available at floridashines.org) lists state-wide prerequisite expectations for music majors transferring to State University System institutions; faculty in the receiving program place students into the appropriate applied level based on audition.
Continued Audition Standing
Continuation in MVW2325 typically requires successful completion of MVW1315 (or equivalent freshman applied saxophone sequence) with a passing jury.
Credit Hour Variation
Credit values for MVW2325 vary across Florida institutions, ranging from 1 to 2 credits per semester. The 2-credit / 60-minute lesson model is most common at institutions with established music programs.
Continuation Sequence
MVW2325 is followed by a continuing sophomore semester (often a repeat of MVW2325) and then by MVW3335 at the junior principal level. Successful completion through MVW3335 (by jury) is a degree requirement at most Florida four-year music programs.
Sophomore Recital
Some institutions require a sophomore-year recital at the conclusion of the MVW2325 sequence. The 20-minute recital format is standard, typically including one French-school work, one American-school work, and one contemporary or extended-technique work.